“It’s a song of exciting empowerment that’s bookended by two horrible situations. It’s comical in nature, but there’s a brutal realism to it.” I Believe There’s a part where the woman cuts off a guy’s dick and says, ‘Bleed on the floor like a bitch’, and the man’s saying, ‘I’m bleeding like how you bleed – how can you still be alive?’ Which is asking how a woman can still live through every month. It’s about a group of women who become empowered and start castrating a bunch of men, and um… basically, read the chorus lyrics. “Most of the song is sung from a woman’s point of view, which is something I haven’t heard much of in heavy metal. And it’s got a fun, hooky chorus that you’re used to hearing on the Dethklok stuff.” Andromeda And it turns out it’s his ex-wife who’s taken a whole bunch of stuff from him, and it’s unresolved issues after unresolved issues. And even as I was improvising melodies and improvising lyrics, I realised it was about a superhero who’s on his way to go and save somebody, but the person he’s saving is someone who’s he’s got a really complicated relationship with, and he’s complaining the whole time that he’s on her way to save her. “It’s the first song where I really started understanding what the Galaktikon record would be. It’s quite destructive, just terrible parts of human nature – destroy, destroy, destroy.” On My Way That’s another theme that I picked up from Queen again, from The Prophet’s Song, which was about, ‘The Earth is ending, we’ve got to build an ark, we’ve got to save only part of humanity, and only part of the animals’, and so this one’s just about, ‘We’re not going to save anything everyone’s obliterated.’ And it’s really exciting for me, for that reason. “It’s about a big comet coming to Earth and destroying anything that’s ever lived.
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